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	Current EURO200
	New entries in the EURO200                                       Review for week 50 - 2025
	The track “Do It” by Stray Kids, which enters the Euro200 this week at position #64, represents another bold step in the group’s ongoing evolution. Stray Kids have built their reputation on high‑energy performances, sharp rap verses, and a willingness to experiment with genre fusion. “Do It” continues that tradition, but with a more polished and mature sound that reflects their growth as artists. The song is driven by a pulsating beat that blends electronic textures with hip‑hop influences, and the vocal delivery alternates between aggressive rap lines and soaring melodic hooks. This duality has always been a hallmark of Stray Kids, but here it feels more refined, as if the group is consciously balancing their youthful intensity with a new sense of control. Lyrically, “Do It” carries the motivational tone that fans have come to expect from the group. It is about pushing forward, embracing challenges, and refusing to be held back. The message resonates strongly with their global audience, many of whom see Stray Kids as a symbol of resilience and self‑empowerment. The production is layered, with subtle details that reward repeated listens, such as background vocal harmonies and percussive flourishes that add depth to the track. What makes this entry particularly significant is that Stray Kids are not newcomers to success, but their presence in the Euro200 as a fresh entry demonstrates their expanding reach across Europe. The group has consistently charted in Asia and North America, but breaking into European charts with new material shows their increasing global dominance. “Do It” is not just another energetic anthem; it is a statement of intent from a group that continues to redefine the boundaries of K‑pop. For fans and casual listeners alike, this track is a reminder that Stray Kids are here to stay, and they are doing it with confidence, creativity, and undeniable charisma.
	“BTRD” by RNBOI is a bold debut that immediately sets the tone for an artist determined to carve out his own space in the European rap scene. Landing at #97 on the Euro200, the track introduces listeners to RNBOI’s uncompromising style: dark, atmospheric production paired with sharp, confident delivery. The instrumental is stripped back yet powerful, built on a deep bassline and haunting synth textures. This minimalism allows RNBOI’s voice to dominate, his cadence shifting between aggressive bursts and more reflective moments. Lyrically, “BTRD” explores themes of authenticity, defiance, and emotional scars. It is both confrontational and vulnerable, a duality that makes the track resonate with audiences searching for honesty in hip‑hop. What makes “BTRD” stand out is its unapologetic energy. RNBOI doesn’t attempt to smooth out his edges for mainstream appeal; instead, he leans into raw emotion and directness. That choice gives the track a sense of urgency, as if every line is meant to challenge both the listener and the broader rap landscape. It’s not polished pop rap—it’s a statement of intent. The chart entry at #97 may seem modest, but for RNBOI it represents a breakthrough moment. It signals that his music, once confined to underground circles, is now reaching a wider audience. Unlike re‑entries from established acts, this is a genuine newcomer milestone. For fans of European rap, “BTRD” offers a refreshing new voice—one that blends moody production with lyrical intensity. If RNBOI continues to deliver music with this level of focus and authenticity, “BTRD” will be remembered not just as a debut, but as the opening chapter of a career poised to grow far beyond niche recognition.
	The track “Un Sorriso Dentro al Pianto” by Ornella Vanoni, which enters the Euro200 this week at position #98, is a remarkable testament to the longevity and artistry of one of Italy’s most iconic singers. Ornella Vanoni has been a central figure in Italian music for decades, known for her distinctive voice that carries both warmth and melancholy. This new entry demonstrates that even after such a long career, she continues to resonate with audiences and find fresh relevance in contemporary charts. Vanoni died at the age of 91 on november 21 in Milan. “Un Sorriso Dentro al Pianto” translates to “A Smile Within the Tears,” and the song lives up to its evocative title. It is a ballad that blends emotional vulnerability with resilience, a theme that has often defined Vanoni’s work. The arrangement is understated yet elegant, with piano and strings providing a delicate backdrop for her vocals. What makes the track compelling is the way Vanoni’s voice, seasoned by years of experience, conveys both fragility and strength. It is not the polished perfection of youth, but rather the textured authenticity of an artist who has lived through the emotions she sings about. The debut at #98 shows that Vanoni’s artistry continues to attract listeners across generations. While many of her peers from the same era are remembered primarily for their past contributions, Vanoni remains active and relevant. This is not her first appearance in the Euro200 this week, as she also enters with “L’Appuntamento” at #182, making her one of the few artists to score multiple new entries simultaneously. That fact alone highlights her enduring appeal and the ability of her catalog to connect with both nostalgic fans and new audiences discovering her music for the first time. “Un Sorriso Dentro al Pianto” is more than just another song in her discography; it is a reminder of the emotional power that music can hold when delivered by a voice that has truly lived. For Ornella Vanoni, this track is both a continuation of her legacy and a fresh chapter that proves her relevance in today’s musical landscape.
	The track “Punto” by Erocaddeo, which makes its debut this week at position #117 on the Euro200, is an intriguing introduction to an artist who thrives on blending modern pop sensibilities with a subtle experimental edge. Erocaddeo is not yet a household name, but “Punto” suggests that he is carving out a space for himself in the European music scene with a sound that is both accessible and distinctive. The track is built around a sleek, rhythmic foundation that combines electronic beats with melodic flourishes, creating a soundscape that feels contemporary yet personal. Vocally, Erocaddeo delivers with a smooth confidence, balancing emotion with precision. The lyrics of “Punto” revolve around themes of clarity and decision, as the word itself translates to “point” in Italian, symbolizing a moment of resolution or a turning point. This thematic depth adds weight to the song, making it more than just a catchy tune. It resonates with listeners who may be navigating their own crossroads, and the production supports this by emphasizing moments of tension and release. The debut is a milestone that can often serve as a springboard for wider recognition. Unlike established acts who return with re‑entries, this is a genuine newcomer moment, and it highlights the diversity of voices currently breaking through in Europe. The track’s polished production suggests that Erocaddeo is working with a team that understands how to craft music for both radio play and streaming platforms, which is essential for sustaining momentum in today’s industry. If “Punto” is any indication, Erocaddeo has the potential to become a recurring presence on the chart. The song’s blend of emotional resonance and modern production makes it stand out among other debuts, and it positions him as an artist to watch. For listeners, “Punto” offers both immediate appeal and the promise of more to come from a fresh voice in European pop.
	The track “Chuos” by Juseph & Quevedo, which enters the Euro200 this week at position #130, is a vibrant collaboration that highlights the strengths of two artists who have been steadily gaining recognition in the Spanish and Latin music scenes. Quevedo, in particular, has become a major figure in recent years, known for his smooth vocal delivery and ability to fuse reggaeton, trap, and pop influences into a cohesive style. Partnering with Juseph, who brings his own flair and energy, “Chuos” feels like a natural extension of the wave of Spanish urban music that has been dominating playlists across Europe and Latin America. Musically, “Chuos” is built on a rhythmic foundation that blends reggaeton beats with melodic hooks, creating a track that is both danceable and emotionally engaging. The production is sleek, with layered percussion and subtle electronic flourishes that give the song a modern edge. Vocally, the interplay between Juseph and Quevedo is one of the track’s strongest elements. Quevedo’s smooth, almost understated delivery contrasts with Juseph’s more dynamic presence, resulting in a balance that keeps the listener engaged throughout. The debut at #130 marks Juseph’s first appearance on the Euro200, while Quevedo has already established himself as a recurring name on the chart. The fact that Quevedo appears again this week in other collaborations reinforces his growing influence and visibility in the European market. For Juseph, this collaboration provides a platform to reach a wider audience, and the chemistry between the two artists suggests that future projects together could be equally successful. “Chuos” is more than just another reggaeton track; it is a showcase of how Spanish urban music continues to evolve and expand its reach. The combination of catchy rhythms, polished production, and strong vocal performances makes it a standout debut, and it positions both Juseph and Quevedo as artists to watch closely in the coming months.
	“Boy” by Kazhanna, debuting at position #132, is a fascinating entry that introduces a young Ukrainian artist with a distinctive voice and story. Kazhanna, whose real name is Hanna Makiienko, was born in Poltava, Ukraine, in May 2001, making her 24 years old. She first gained attention through TikTok, where her playful and sometimes ironic videos unexpectedly turned into viral music moments. What began as humorous clips evolved into a serious career, and “Boy” is a clear sign that she is now being recognized beyond social media, stepping into the broader European music scene. The track itself is a blend of pop, trap, and rap influences, genres that Kazhanna has been experimenting with since she started releasing music in 2022. “Boy” carries a youthful energy, but it is also layered with emotional undertones. The beat is sharp and modern, with electronic textures that give it a polished edge, while her vocal delivery alternates between melodic passages and rhythmic rap lines. This duality reflects her versatility as both a singer and songwriter. What makes Kazhanna particularly compelling is her background. Coming from Poltava, a city not traditionally known as a hub for pop stars, she represents a new wave of Ukrainian talent that is breaking into international charts. Her journey has not been without challenges; she has openly spoken about personal struggles, including a difficult relationship that nearly derailed her career. Yet, her resilience shines through in her music, and “Boy” feels like a declaration of independence and self‑confidence. The debut at #132 is significant because it marks her first appearance on the Euro200, and unlike established acts who return with re‑entries, this is a genuine newcomer moment. For listeners, “Boy” is not just a catchy track; it is an introduction to an artist who blends authenticity with creativity. Kazhanna’s ability to turn viral beginnings into a serious career suggests that she has the potential to become a recurring presence on the charts. Her age, her origin, and her unique artistic path all add depth to the story behind “Boy,” making this debut one of the more exciting entries of the week.
	The track “Flying Blue” by La Fouine & L2B, which debuts this week at position #149 on the Euro200, is a powerful collaboration that blends French rap with contemporary urban production. La Fouine, born Laouni Mouhid in Trappes, France, is a veteran of the French hip‑hop scene. At 44 years old, he has built a career that spans over two decades, known for his gritty storytelling and ability to adapt to changing musical trends. His Moroccan heritage has also influenced his style, giving his music a multicultural edge that resonates with diverse audiences. Partnering with L2B, a younger emerging artist from France, “Flying Blue” feels like a bridge between generations of rap. Musically, “Flying Blue” is driven by a sharp beat that combines trap elements with melodic flourishes. The production is sleek and modern, clearly designed for streaming platforms and radio play, but it retains the raw energy that characterizes La Fouine’s earlier work. L2B brings youthful intensity to the track, his verses contrasting with La Fouine’s seasoned delivery. This interplay creates a dynamic tension that keeps the listener engaged, highlighting the strengths of both artists. The debut at #149 is a fresh entry for both collaborators. For La Fouine, it is a reminder that he remains relevant in a rapidly evolving scene, while for L2B, it is a breakthrough moment that introduces him to a wider European audience. The collaboration underscores how established artists can lend credibility and visibility to rising talents, while also benefiting from the fresh energy that newcomers bring. “Flying Blue” is more than just another rap track; it is a statement about continuity and renewal in French hip‑hop. La Fouine’s presence ensures depth and authenticity, while L2B injects modern flair. Together, they deliver a debut that feels both grounded in tradition and forward‑looking, making “Flying Blue” a standout among this week’s new entries.
	The track “Bailando 2” by Brokies, Bajorson, Dajczman, Discokarol & Pirlo444, which enters the Euro200 this week at position #151, is a chaotic yet exciting collaboration that reflects the energy of Europe’s underground rap and party scene. Each of these artists comes from different corners of the Polish and Central European hip‑hop community, and together they create a track that feels like a celebration of youthful rebellion. The title “Bailando 2” immediately suggests a continuation or sequel, and indeed the song builds on the playful, dance‑oriented vibe of its predecessor while adding a harder edge. Musically, “Bailando 2” is driven by a pounding beat and layered electronic textures, designed to ignite clubs and festivals. The verses are rapid‑fire, with each artist bringing their own style to the track. Bajorson and Dajczman lean into aggressive rap cadences, while Discokarol and Pirlo444 add melodic hooks that lighten the mood. Brokies, often seen as the ringleader of this collective, ties the track together with his charismatic delivery. The interplay between these voices creates a sense of unpredictability, which is part of the track’s charm. The debut at #151 marks the first time this particular lineup of artists has appeared together on the Euro200. Some of them have had minor chart appearances before, but the collective energy here is new. It also highlights the growing influence of Polish rap and trap music, which has been steadily gaining traction across Europe. The fact that so many names are attached to one track speaks to the collaborative spirit of the scene, where artists often join forces to amplify their reach and experiment with new sounds. “Bailando 2” is more than just a party anthem; it is a snapshot of a generation of artists who are hungry to make their mark. The raw energy, the mix of styles, and the unapologetic attitude all combine to make this debut one of the more colorful entries of the week. For listeners, it offers both the thrill of discovery and the promise of a vibrant scene that is only just beginning to break into the mainstream.
	The track “Kamień z Serca” by Bedoes 2115 & Kubi Producent, which debuts this week at position #159 on the Euro200, is a striking example of how Polish hip‑hop continues to evolve and gain international attention. Bedoes 2115, born Borys Przybylski in Bydgoszcz, Poland, is only 27 years old but has already become one of the most influential figures in the Polish rap scene. Known for his emotional honesty and ability to blend vulnerability with bravado, he has built a loyal fanbase that sees him as the voice of a generation. His frequent collaborations with Kubi Producent, a talented beatmaker and producer from Warsaw, have consistently pushed the boundaries of Polish rap, creating tracks that are both commercially successful and artistically daring. “Kamień z Serca,” which translates to “Stone from the Heart,” is a deeply personal track that reflects Bedoes’s lyrical style. The song explores themes of emotional release, resilience, and the weight of personal struggles. The production by Kubi is atmospheric, combining trap beats with melodic layers that give the track a haunting quality. Together, the duo creates a sound that is both modern and uniquely Polish, resonating with listeners who crave authenticity in hip‑hop. The debut at #159 is showing that Bedoe's influence is expanding beyond Poland into the wider European market. Unlike some of the other entries this week that are re‑entries of older classics, this is a genuine newcomer moment, and it underscores the growing importance of Polish rap in the continental music landscape. Bedoes 2115 has often spoken about his difficult upbringing and how music became his outlet for self‑expression. That raw honesty permeates “Kamień z Serca,” making it more than just a catchy track—it is a statement of identity and resilience. For fans, this debut is a reminder of why Bedoes has become such a central figure in Polish rap, and for new listeners, it is an introduction to an artist whose voice carries both pain and strength.
	The track “Hora” by Irina Rimes & Jerry Heil, which debuts this week at position #176 on the Euro200, is a fascinating collaboration between two prominent voices from the Romanian and Ukrainian music scenes. Irina Rimes, born in 1991 in Florești, Moldova, is now 34 years old and has become one of the most respected singer‑songwriters in Romania. Known for her poetic lyrics and emotional delivery, she has built a career that bridges pop and folk influences with modern production. Jerry Heil, whose real name is Yana Shemaieva, was born in Vasylkiv, Ukraine, in 1995, making her 30 years old. She rose to fame through YouTube and later Eurovision, where her quirky style and sharp songwriting earned her international recognition. “Hora” is a track that celebrates cultural identity while embracing contemporary pop sensibilities. The title refers to the traditional circle dance common in Romania and Moldova, and the song cleverly fuses that folkloric reference with modern beats. The production is upbeat, with rhythmic percussion and electronic flourishes that make it suitable for both radio and dance floors. Vocally, the interplay between Rimes and Heil is captivating: Rimes brings her signature emotional depth, while Heil adds playful energy and wit. Together, they create a dynamic that feels both authentic and fresh. The debut at #176 is significant because it marks a genuine newcomer moment for this collaboration, even though both artists are already established in their respective countries. For Irina Rimes, it is another step in her ongoing effort to expand her reach beyond Romania, while for Jerry Heil, it reinforces her growing influence in the European market. The fact that two artists from neighboring countries have joined forces also highlights the increasing cross‑border collaborations that define today’s music scene. “Hora” is more than just a catchy pop song; it is a cultural statement that blends tradition with modernity. For listeners, it offers both the joy of discovering new sounds and the deeper resonance of shared heritage. This debut positions Irina Rimes and Jerry Heil as artists who are not only talented individually but also capable of creating something truly memorable together.
	The track “L’Appuntamento” by Ornella Vanoni, which debuts this week at position #182 on the Euro200, is a beautiful reminder of the timeless appeal of one of Italy’s most enduring voices. Ornella Vanoni remains a cultural icon. Her career spans more than six decades, during which she has become known for her sophisticated interpretations of love songs and her ability to infuse every performance with emotional depth. “L’Appuntamento,” which translates to “The Appointment,” is a song originally released in the early 1970s, but its re‑entry into the spotlight demonstrates how Vanoni’s music continues to resonate with new generations. The track is a romantic ballad, built around lush instrumentation and Vanoni’s unmistakable voice, which carries both fragility and strength. Even at this stage of her career, her artistry feels fresh, and the song’s themes of longing and anticipation remain universally relatable. The debut at #182 is particularly notable because it marks Ornella Vanoni’s second new entry this week, alongside “Un Sorriso Dentro al Pianto” at #98. Few artists of her age can claim such relevance in contemporary charts, and this dual presence underscores her enduring influence. It is rare to see an artist simultaneously celebrated for both new material and classic repertoire, but Vanoni manages to bridge that gap effortlessly. Her longevity is not just about nostalgia; it is about the timeless quality of her voice and the emotional honesty of her music. “L’Appuntamento” is more than just a song—it is a cultural artifact that continues to inspire listeners across Europe. For younger audiences, it offers a chance to discover the elegance of Italian chanson, while for longtime fans, it is a reaffirmation of Vanoni’s place in the pantheon of great European singers. (1934 - 2025)
	The track “Talk to Me” by Damiano David featuring Tyla & Nile Rodgers, which debuts this week at position #183 on the Euro200, is a dazzling collaboration that bridges generations and genres. Damiano David, the 26‑year‑old frontman of the Italian rock band Måneskin, has already proven himself as one of the most charismatic voices in modern rock. His bold stage presence and powerful vocals have made him a global star since Måneskin’s Eurovision victory in 2021. Partnering here with Tyla, the 23‑year‑old South African singer who has quickly risen to international fame with her amapiano‑infused pop hits, and Nile Rodgers, the legendary 73‑year‑old American guitarist, producer, and co‑founder of Chic, “Talk to Me” becomes a meeting point of three very different musical worlds. Musically, the track is a fusion of funk, pop, and rock. Nile Rodgers’s signature guitar riffs provide a groovy backbone, instantly recognizable to anyone familiar with his work on classics like “Le Freak” or his collaborations with Daft Punk. Tyla adds a smooth, sultry vocal layer that contrasts beautifully with Damiano’s raw, rock‑inflected delivery. The interplay between their voices creates a dynamic tension, while Rodgers’s production expertise ensures the track feels polished and timeless. The debut at #183 is significant because it marks Damiano David’s solo appearance on the Euro200 outside of Måneskin, signaling his potential to carve out an individual identity beyond the band. For Tyla, it reinforces her growing influence in Europe, expanding her reach beyond Africa and the US. Nile Rodgers’s involvement adds not only credibility but also a sense of history, reminding listeners of the enduring power of funk and disco elements in modern pop. “Talk to Me” is more than just a collaboration; it is a statement about the universality of music. Three artists from different continents, generations, and genres come together to create something fresh yet familiar. For listeners, it offers both the thrill of Damiano’s rock energy, Tyla’s contemporary pop allure, and Rodgers’s timeless groove. This debut is a highlight of the week, showing how cross‑cultural collaborations can redefine the sound of modern charts.
	The track “Voodoo” by Alex Botea, which debuts this week at position #194 on the Euro200, is an intriguing entry from a Romanian artist who has been steadily building his reputation in the regional pop and dance scene. Alex Botea, born in Bucharest in the late 1990s, is in his mid‑twenties and represents a new generation of Romanian performers who blend traditional influences with modern electronic production. His background in songwriting and vocal performance has allowed him to craft music that feels both authentic and contemporary, appealing to audiences who crave fresh sounds with a local identity. “Voodoo” is a track that leans heavily into dark pop aesthetics, with a hypnotic beat and layered synths that create a mysterious atmosphere. The title itself suggests themes of enchantment and allure, and the lyrics play with the idea of being spellbound by love or desire. Botea’s vocal delivery is smooth yet intense, carrying a sense of urgency that matches the song’s moody production. The chorus is particularly memorable, designed to linger in the listener’s mind long after the track ends. The debut at #194 is a milestone that signals his growing influence beyond Romania. While he has been active in local circuits, this chart entry demonstrates that his music is beginning to resonate with a wider European audience. It also highlights the increasing visibility of Romanian pop artists, who are finding ways to compete on an international stage by blending local flavor with global trends. “Voodoo” is more than just a catchy debut; it is a statement of intent from an artist who is ready to step into the spotlight. For listeners, it offers a mix of mystery, energy, and emotional depth, making it one of the more intriguing new entries of the week. Alex Botea’s age, origin, and creative vision all contribute to the sense that this is only the beginning of a promising career.
	Look at last week's reviews here
	"The Hitmaster: mastering the rhythm of chart-topping hits."