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	Current EURO200
	New entries in the EURO200                                       Review for week 23 - 2025
	Apache 207 continues to impress with his unique style and thoughtful lyrics. His latest single, "Morgen", from the upcoming album 21 Gramm, is this week’s highest new entry in the Euro 200, debuting at #64—and it’s easy to see why. With "Morgen", Apache 207 delivers another introspective track that explores the balance between success and personal peace. The beat, subtle yet captivating, begins with melancholic guitar chords before evolving into a powerful modern production. The lyrics resonate deeply, questioning the pressure of the future versus the enjoyment of the present. His signature blend of rap and melodic singing makes the song immersive and emotionally charged. Lyrically, "Morgen" offers a direct look into the mind of an artist who has achieved his dreams yet struggles with whether it was all worth it. Lines like “Junge, denk mal an morgen, aber was ist mit heute?” (Boy, think about tomorrow, but what about today?) encapsulate his inner conflict between ambition and the fear of losing the moment. Apache 207 proves once again why he is one of the most fascinating artists of this generation. "Morgen" will undoubtedly continue to resonate with listeners and may climb even higher in the Euro 200.
	Some songs hit like a tidal wave—"Bloodline" is one of them. Alex Warren and Jelly Roll weave a hauntingly powerful story of generational wounds and the determination to break free. This week, the track storms into the Euro 200 as the second highest new entry, landing at #68. A solid start for a song that doesn’t just play—it lingers. The song starts quietly, almost like a whisper of the past. A stomp-and-clap beat builds tension while acoustic guitars lay the foundation of melancholy. Jelly Roll’s gritty vocals cut through like a battle cry, contrasting beautifully with Alex Warren’s softer, emotional delivery. Their voices aren’t just singing—they’re telling a story of resilience and reckoning. Lyrics like "Take that pain, pass it down like bottles on the wall" encapsulate the heartache of inherited struggles. But "Bloodline" isn’t just about pain—it’s about fighting back. As the track unfolds, it grows, swells, and transforms into an anthem of breaking cycles and claiming a future that isn’t dictated by the past. This isn’t just a song—it’s a statement. It’s raw, it’s urgent, and it’s bound to resonate with anyone who has ever fought to redefine their story. With such a strong debut, expect "Bloodline" to claw its way up the Euro 200 in the coming weeks.
	With "No Tiene Sentido", Beéle (Colombia) once again delivers a track that is both emotionally and musically compelling. This week, the song debuts in the Euro 200, entering at #110. A melancholic blend of Latin pop and reggaeton, where Beéle expresses the pain of lost love through captivating melodies and raw honesty. The opening immediately sets a nostalgic tone with acoustic guitars and a subtle beat that gradually builds in intensity. Beéle’s voice carries a melancholic edge that perfectly reflects his inner turmoil. His lyrics cut deep, with lines like “Ya no tiene sentido seguir intentando” (There’s no point in trying anymore) conveying the feeling of resignation and acceptance. What makes "No Tiene Sentido" stand out is its combination of an emotionally charged message and a dynamic production that gives the song a fresh, modern feel. Beéle masterfully translates a universal theme—heartbreak—into a relatable, immersive listening experience. Soon, he will bring this emotion to European stages, with concerts planned in Spain and Italy. Fans eager to experience Beéle’s music live will have the chance to witness his magic in an intimate setting.
	Olly and JVLI deliver a refreshing and playful track with "Depresso Fortunato", blending melancholy and exuberance in a unique way. This week, the song debuts in the Euro 200, entering at #111. From the first notes, "Depresso Fortunato" sets a scene reminiscent of an Italian tavern, where friends gather to celebrate life—even when it’s chaotic and uncertain. The folk-pop influences shine through, with acoustic guitar and rhythmic progression giving the song a nostalgic yet energetic vibe. Olly’s vocals carry a carefree charm, while JVLI’s production adds a warm, organic sound. The lyrics are both humorous and introspective, with lines like "Che alla fine non sono altro che un depresso fortunato" (In the end, I’m just a lucky depressed guy). This contrast between lightheartedness and depth makes the song stand out. After his victory at the Festival di Sanremo 2025, Olly proves he’s not confined to one style. "Depresso Fortunato" feels like a spontaneous celebration of life, wrapped in a melody that lingers. Soon, he’ll bring this energy to European stages, with performances planned in Milan and Padua.
	Like a fleeting dream painted in emerald hues, "Smaragdove Nebo" is a mesmerizing blend of longing and hope. Drevo’s latest release debuts this week at #127 in the Euro 200, marking another step in his artistic evolution. The song opens with a delicate yet haunting instrumental atmosphere, where each note feels like a step into the unknown. The lush, emerald sky of the lyrics becomes a metaphor for a future that remains just out of reach. Drevo’s voice, raw and unwavering, dances with the music like a soul searching for meaning in the depths of uncertainty. With lines like "Smaragdove nebo chekaie na zavtra, a ya ydu do tebe" (Emerald sky waits for tomorrow, and I walk to you), the song encapsulates the struggle between longing and destiny. There’s a pulse beneath the melancholy—a heartbeat that reminds us that hope, however fragile, is never lost. Drevo, a force within Ukrainian alternative rock, has steadily carved a niche for himself. From his Eurovision national finalist days to this stirring ballad, his artistry continues to evolve, weaving together traditional influences with modern depth. "Smaragdove Nebo" is not just a song—it’s an experience, a fleeting moment frozen in time. And with Drevo set to grace European stages soon, there’s no better time to immerse yourself in his sound.
	Fabri Fibra (48) returns with a sharp and introspective track, Che Gusto C’è, featuring promising artist Tredici Pietro (26). This brand-new release debuts at #128 in the Euro 200 this week, setting the tone for what might be one of Fibra’s most thoughtful musical eras. Musically, the track builds on reflective and melancholic tones, supported by a subtle yet immersive beat by Marz & Zef, the production duo behind Fibra’s previous hit Propaganda. The sound feels modern and layered, perfectly complementing Fibra’s cutting lyrics and Pietro’s emotional hook. Thematically, Che Gusto C’è examines the obsession with status and materialism, with Fibra exposing the emptiness behind luxury and social expectations in his signature style. The lyrics are packed with cynicism and realism, while Pietro’s vocals add a touch of hope and doubt to the narrative. As a teaser for Fibra’s upcoming album Mentre Los Angeles Brucia (out June 20, 2025), this track demonstrates his ability to translate social themes into compelling and thought-provoking music. A must-listen for fans of Italian rap and anyone seeking a song with depth and meaning.
	At just 14 years old, and with her 15th birthday coming up this Friday, ZAH1DE proves she is a force to be reckoned with in the German music scene. Her latest track, Zahide Did It Better, debuts at #132 in the Euro 200 this week, an impressive achievement for an artist still shaping her career. Produced by 2Sick & SIRA, the track exudes confidence and ambition. With an energetic beat and sharp lyrics, ZAH1DE emphasizes her rise in the industry. The hook "Tamam, ihr macht gut, doch Zahide did it better" (Alright, you do well, but Zahide did it better) is both bold and catchy, reinforcing her determination to carve her own path. What makes this release even more special is its timing. As she celebrates her 15th birthday, Zahide Did It Better marks a new chapter in her musical journey. Her youthful energy and sharp style make her a unique voice in the German rap scene. With her viral TikTok presence and a growing fanbase, ZAH1DE seems ready to make her mark. Zahide Did It Better is not just a statement—it’s a celebration of her talent and future.
	Luchè (43) delivers Miami Vice, an engaging collaboration with Sfera Ebbasta (32) and Simba La Rue (23). The track, new at #148 in the Euro 200, presents a refined blend of luxury and introspection, a recurring theme in Luchè’s latest album Il Mio Lato Peggiore. Produced by Geeno & Voga, the song features a cinematic and immersive trap sound, perfectly complementing its atmosphere. Luchè’s delivery and lyrics offer a thoughtful reflection on fame and personal struggles, while Sfera Ebbasta brings a smooth melodic balance. Simba La Rue injects a raw and direct energy, making the contrasts within the track even more pronounced. Lyrically, Miami Vice plays with the idea of glamour versus reality, referencing luxury locations and expensive cars while subtly hinting at deeper doubts and introspection. Beneath the surface, there’s a layer of vulnerability, adding more depth to the song than its title might suggest. This collaboration unites three distinct styles within Italian rap, each bringing their own identity and approach. Miami Vice is not just a celebration of extravagance but also a reflection on the questions that come with success—an intriguing musical and thematic experience.
	Mata (25) and Maryla Rodowicz (79) deliver a surprising collaboration with To Tylko Wiosna, which debuts at #150 in the Euro 200 this week. Released on May 16, 2025, the track blends modern rap with classic pop, bringing together two generations of Polish music in a unique sound. Produced by Pedro, the song carries a melancholic yet hopeful atmosphere, where Mata’s sharp, socially aware lyrics merge with Rodowicz’s warm and nostalgic chorus. The lyrics reflect on change, impermanence, and Poland’s political reality, with Mata using his signature style to address social themes. What makes this release even more special is its connection to a social campaign, encouraging Polish citizens to participate in the upcoming presidential elections. Additionally, Mata and Rodowicz have launched a contest where fans have the chance to share a meal with them in Warsaw. With a strong reception on streaming platforms and growing discussions about the song’s message, To Tylko Wiosna proves that music can be a powerful tool for dialogue and reflection. This collaboration between a hip-hop icon and a Polish legend is not only musically compelling but also culturally significant.
	Mora (29) and Omar Courtz (27) deliver MÁS QUE ALGO, a track that debuts at #161 in the Euro 200 this week, immediately standing out in the reggaeton landscape. Featured on Mora’s album LO MISMO DE SIEMPRE, the song feels like a sultry night in San Juan—a fusion of longing, mystery, and a touch of melancholy. Produced by Botlok & TONO, the track evokes images of neon lights reflecting in rain puddles, creating an atmosphere that is both immersive and dreamlike. Mora moves through the beat like a whisper in the dark, his voice filled with unspoken emotions. Courtz disrupts that mood with a bold energy, his verse sounding like a spontaneous encounter that might mean more than it seems. Lyrically, the song balances romance and uncertainty, with the line "Mami, yo quisiera que esto fuera más que algo" not just a simple wish, but a lingering question. Is this a fleeting moment, or could it become something lasting? The track embraces that uncertainty and turns it into music—sensual, introspective, and hypnotic. With a strong impact on streaming platforms and Courtz’s upcoming performances in Spain, MÁS QUE ALGO seems poised to dominate the European festival season. This is no ordinary reggaeton track—it’s a nocturnal search for something that might never be fully grasped.
	Chico and Qatoshi have delivered a track that feels like a restless night with no clear destination. Debuting at #164 in the Euro 200 this week, Mamma Mia pulls listeners into a world of emotion and electronic pulses. From the first beat, the tension is palpable. The production by Botlok & TONO is like flickering neon lights in a deserted street—moody, mysterious, and charged with underlying emotion. Chico’s voice drifts through the track like an echo of lost love, while Qatoshi intensifies the energy with a raw, direct presence. The lyrics cut deep: "He took your soul, he broke your love, Gucci won’t save you from the pain that you got." This isn’t just another heartbreak song—it’s a musical translation of an internal struggle. The beat pulses like a heartbeat that refuses to calm, and the melody lingers long after the track ends. With a strong reception on streaming platforms and a growing fanbase, Mamma Mia proves that Chico & Qatoshi have carved out a unique space in the electronic music scene. This isn’t just a track you listen to—it’s an experience that resonates in every fiber.
	Some artists seem to emerge out of nowhere, suddenly appearing in the charts without much prior recognition. Shuhar is exactly such a name. With his track OLYEH, he has debuted this week at #177 in the EURO 200, a sign that his music is reaching more and more listeners. Although little official information is available about Shuhar, rumors suggest that he hails from Ukraine. This could mean his music is enriched with influences from the deep, melancholic, yet energetic sounds often associated with that region. Perhaps he blends electronic beats, folk elements, or even post-Soviet synth-pop—but one thing is clear: his sound makes an impact. The strength of OLYEH lies in its mysterious atmosphere. It’s a track that feels both introspective and grand, with a production that is meticulously crafted. Fans are just now discovering him, but if this first chart entry is any indication, he could soon become a well-known name in the European music scene. What will be Shuhar’s next move? Will he remain an enigmatic figure, or will he soon reveal more about himself? One thing is certain: OLYEH is a track to watch.
	This week, Zombie Lady by Damiano David debuts at #185 in the EURO 200, proving once again that his solo career is gaining momentum. Following his previous successes with Born With a Broken Heart and Next Summer, Damiano continues to establish himself as a force in the European music scene. Zombie Lady is an engaging blend of melancholic rock and mysterious pop, where Damiano’s signature raw vocals shine. The track carries a dark, romantic atmosphere, with lyrics that describe an obsessive love: "Don't stop eating my heart out, baby / Don't stop giving me yours / Oh, my beautiful zombie lady / The only one I adore." Musically, the song flirts with 80s wave and indie rock, combining moody synths and gritty guitar lines to create an immersive sound. The production is sleek and modern, and Damiano’s emotional intensity makes it a track that lingers in the mind. With Zombie Lady, Damiano continues his impressive streak. His solo work keeps making its way into the charts, and if this trend continues, he will soon become a staple in the European music scene.
	This week, "Lichtje Branden" by Suzan & Freek entered the charts in both the Netherlands and Belgium. A song that has always offered comfort, but now carries an extra emotional weight following the shocking news that Freek Rikkerink is terminally ill. When Suzan & Freek announced on Tuesday that Freek has metastatic lung cancer, the music world came to a standstill. Fans, fellow artists, and radio stations responded en masse. "Lichtje Branden" spontaneously became a symbol of support and love. On Spotify, the song was streamed nearly 384,000 times in one day, and several radio stations played it simultaneously as a tribute. The impact of the news was immense. People shared their grief and messages of support on social media, and many literally lit a candle for Freek. The duo, inseparable for 18 years, expressed how deeply moved they are by the love they have received. In an emotional message on Instagram, they wrote: "Where we will always hold each other, we have felt that you do the same for us. Love is everything." The news hit especially hard because Suzan and Freek not only built their careers together but were also about to start a family. Suzan is expecting their first child, which makes the contrast between joy and sorrow even more poignant. This weekend, they were set to perform at the Ziggo Dome, but the concerts have been canceled. Fans called on each other to gather at the venue in tribute. However, the Ziggo Dome has announced that the location will remain closed and urges fans not to flock to the ArenA area due to congestion from other events. "Lichtje Branden" is now more than just a song; it has become a collective gesture of support—a way for the Netherlands and Belgium to express their love for a duo that has moved them with their music for years. In this difficult time, their message remains steadfast: love is everything. The track has debuted at #195 in the EURO 200 this week.
	This week, "Can't Decide" by Max Dean, Luke Dean & Locky debuts at #197 in the EURO 200, proving the growing impact of this trio in the electronic music scene. The track blends energetic house elements with an enchanting groove and an unmistakable vocal hook that instantly sticks. The production is tight and dynamic, making it perfect for both club settings and streaming platforms. Deep basslines and catchy percussion create a rhythmic flow that pulls the listener in, while melodic accents and subtle harmonies add an extra layer of finesse. Max Dean and Luke Dean, both known for their fresh approach to house music, bring their signature style to the track, while Locky’s influences make the sound even more diverse. The result is a song that not only moves dance floors but also fits seamlessly into playlists for modern house and techno lovers. The release has quickly gained traction thanks to support from major DJs and a strong presence on TikTok. The rising popularity of "Can't Decide" shows that the track appeals to both underground and mainstream audiences. With this solid entry into the EURO 200, it seems only a matter of time before "Can't Decide" becomes a staple in top artists' sets and at the biggest festivals. A track that is already a hit in the making.
	Look at last week's reviews here
	"The Hitmaster: mastering the rhythm of chart-topping hits."