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issue date :
Sunday, May 31,
week 23 -
2026 |
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this week |
last week |
APC -
peak position |
APC -
this year |
performer(s) - title |
included |
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| |
1 |
1 |
19 |
95 |
MICHAEL JACKSON - BILLIE JEAN |
22-1-1983 |
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2 |
2 |
5684 |
8337 |
JUSTIN BIEBER FEATURING NICKI MINAJ - BEAUTY AND A BEAT |
15-10-2012 |
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3 |
3 |
109 |
416 |
MICHAEL JACKSON - BEAT IT |
23-4-1983 |
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4 |
4 |
283 |
449 |
ZARA LARSSON - LUSH LIFE |
10-6-2015 |
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5 |
5 |
8157 |
10467 |
CHEMICAL BROTHERS, THE - GO |
8-5-2015 |
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6 |
6 |
1841 |
1841 |
DJO - END OF BEGINNING |
16-9-2022 |
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7 |
7 |
4757 |
12202 |
MICHAEL JACKSON - HUMAN NATURE |
3-9-1983 |
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8 |
8 |
3234 |
3234 |
KILLERS, THE - MR. BRIGHTSIDE |
30-5-2004 |
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9 |
35 |
40 |
140 |
JENNIFER LOPEZ & PITBULL - ON THE FLOOR |
2-2-2011 |
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10 |
10 |
304 |
706 |
GREEN DAY - BOULEVARD OF BROKEN DREAMS |
7-11-2004 |
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11 |
14 |
1677 |
2878 |
KATY PERRY - THE ONE THAT GOT AWAY |
17-10-2011 |
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12 |
11 |
18545 |
18545 |
KATO & JON NØRGAARD (+ JUSTĖ & JAXSTYLE 2025) -
TURN THE LIGHTS OFF |
15-1-2010 |
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13 |
12 |
8064 |
14023 |
SEAN PAUL FEATURING KEYSHIA COLE - WHEN YOU GONNA (GIVE IT UP TO
ME) |
16-7-2006 |
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| |
14 |
9 |
664 |
1954 |
MICHAEL JACKSON - DON'T STOP 'TIL YOU GET ENOUGH |
29-9-1979 |
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| |
15 |
17 |
3644 |
6748 |
TIZIANO FERRO - PERDONO (XDONO-XXDONO) |
8-6-2002 |
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| |
16 |
16 |
559 |
882 |
VANCE JOY - RIPTIDE |
9-1-2014 |
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| |
17 |
13 |
804 |
2604 |
MICHAEL JACKSON - DIRTY DIANA |
28-5-1988 |
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18 |
19 |
8127 |
10798 |
AKCENT (+ SERA & MISHA MILLER 2025) - DON'T LEAVE (KYLIE) |
23-7-2005 |
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19 |
15 |
560 |
1333 |
MICHAEL JACKSON - SMOOTH CRIMINAL |
12-11-1988 |
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20 |
20 |
19466 |
0 |
MILKY & MALL GRAB - JUST THE WAY YOU ARE |
12-10-2002 |
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| |
21 |
22 |
105 |
234 |
MACKLEMORE & RYAN LEWIS FEATURING RAY DALTON - CAN'T HOLD US |
24-1-2013 |
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| |
22 |
23 |
6796 |
6796 |
HUMLAN DJOJJ & JOSEFINE GÖTESTAM - DJURENS VAGGVISA |
14-7-2022 |
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23 |
25 |
5345 |
5345 |
BABBLARNA - BABBLARNAS VAGGVISA |
6-11-2020 |
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24 |
--- |
2139 |
2139 |
BAD
BUNNY - TITÍ ME PREGUNTÓ |
11-5-2022 |
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| |
25 |
26 |
328 |
716 |
HURTS (+ PURPLE DISCO MACHINE 2025) - WONDERFUL LIFE |
4-1-2010 |
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26 |
--- |
7984 |
0 |
ELTON
JOHN - THE BITCH IS BACK |
26-10-1974 |
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27 |
--- |
13827 |
15149 |
J
BALVIN & BAD BUNNY - LA CANCIÓN |
5-7-2019 |
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28 |
21 |
354 |
728 |
GOO GOO DOLLS, THE - IRIS |
1-4-1998 |
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| |
29 |
39 |
1104 |
2262 |
FLEETWOOD MAC - DREAMS |
24-9-1977 |
|
| |
30 |
24 |
35 |
175 |
MICHAEL JACKSON - THRILLER |
17-12-1983 |
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| |
31 |
--- |
7685 |
7685 |
BAD
BUNNY & BOMBA ESTÉREO - OJITOS LINDOS |
11-5-2022 |
|
| |
32 |
29 |
681 |
1287 |
MICHAEL JACKSON - THEY DON'T CARE ABOUT US |
6-4-1996 |
|
| |
33 |
18 |
2234 |
2857 |
LINKIN PARK - IN THE END |
17-11-2001 |
|
| |
34 |
--- |
152 |
328 |
DON
OMAR & LUCENZO (+TIËSTO) - DANZA KUDURO |
13-1-2011 |
|
| |
35 |
36 |
7911 |
7911 |
NEIGHBOURHOOD, THE - SWEATER WEATHER |
6-9-2012 |
|
| |
36 |
37 |
296 |
296 |
UDO LINDENBERG & APACHE 207 - KOMET |
20-1-2023 |
|
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37 |
38 |
8114 |
8114 |
MILLENIUMKID & JBS - VIELLEICHT VIELLEICHT |
9-5-2024 |
|
| |
38 |
--- |
10026 |
10104 |
SEPAR,
JERRY LEE & P T K - SUNSET |
9-3-2023 |
|
| |
39 |
27 |
553 |
562 |
NATASHA BEDINGFIELD - UNWRITTEN |
5-12-2004 |
|
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40 |
--- |
215 |
313 |
HARRY
STYLES - SIGN OF THE TIMES |
7-4-2017 |
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Redbullets are available for tracks which have been climbing in the
chart this week: between 1-10 »» 1
position, 11-20 »» 2
positions, 21-30 »» 3 positions, 31-40
»» no red bullets. |
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| The Eternal Hit Status Top 40 highlights the tracks that are currently back in the
spotlight and showing a clear resurgence in popularity. Only songs that are
at least two years old and that appear in — or have previously appeared in
— the All Time Popclassics Chart are eligible for inclusion. The EHS ranking is
determined entirely by the most recent measurement of real‑time
popularity, combining streaming activity, airplay, search behaviour and
sales data to provide a transparent and accurate reflection of what Europe
is rediscovering today. Free from ACR rules, promotional cycles or
artificial limitations, the EHS Top 40 reveals which timeless songs are truly alive right now
— driven purely by the listening behaviour of the public, not by the
industry. |
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