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issue date :
Sunday, June 28,
week 27 -
2026 |
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this week |
last week |
APC -
peak position |
APC -
this year |
performer(s) - title |
included |
|
| |
1 |
1 |
19 |
95 |
MICHAEL JACKSON - BILLIE JEAN |
22-1-1983 |
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2 |
2 |
5684 |
8337 |
JUSTIN BIEBER FEATURING NICKI MINAJ - BEAUTY AND A BEAT |
15-10-2012 |
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3 |
3 |
109 |
416 |
MICHAEL JACKSON - BEAT IT |
23-4-1983 |
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4 |
4 |
283 |
449 |
ZARA LARSSON - LUSH LIFE |
10-6-2015 |
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5 |
6 |
3234 |
3234 |
KILLERS, THE - MR. BRIGHTSIDE |
30-5-2004 |
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6 |
5 |
8157 |
10467 |
CHEMICAL BROTHERS, THE - GO |
8-5-2015 |
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7 |
8 |
1841 |
1841 |
DJO - END OF BEGINNING |
16-9-2022 |
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8 |
10 |
1677 |
2878 |
KATY PERRY - THE ONE THAT GOT AWAY |
17-10-2011 |
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9 |
7 |
40 |
140 |
JENNIFER LOPEZ & PITBULL - ON THE FLOOR |
2-2-2011 |
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10 |
16 |
152 |
328 |
DON OMAR & LUCENZO (+TIËSTO) - DANZA KUDURO |
13-1-2011 |
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11 |
13 |
18545 |
18545 |
KATO & JON NØRGAARD (+ JUSTĖ & JAXSTYLE 2025) -
TURN THE LIGHTS OFF |
15-1-2010 |
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12 |
11 |
4757 |
12202 |
MICHAEL JACKSON - HUMAN NATURE |
3-9-1983 |
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13 |
14 |
559 |
882 |
VANCE JOY - RIPTIDE |
9-1-2014 |
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| |
14 |
26 |
2139 |
2139 |
BAD BUNNY - TITÍ ME PREGUNTÓ |
11-5-2022 |
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| |
15 |
9 |
2234 |
2857 |
LINKIN PARK - IN THE END |
17-11-2001 |
|
| |
16 |
12 |
8064 |
14023 |
SEAN PAUL FEATURING KEYSHIA COLE - WHEN YOU GONNA (GIVE IT UP TO
ME) |
16-7-2006 |
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17 |
--- |
141 |
141 |
KAROL
G - SI ANTES TE HUBIERA CONOCIDO |
22-6-2024 |
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| |
18 |
34 |
409 |
974 |
SHAKIRA FEATURING WYCLEF JEAN (+ ED SHEERAN & BEÉLE 2025) -
HIPS DON'T LIE |
9-4-2006 |
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19 |
19 |
215 |
313 |
HARRY STYLES - SIGN OF THE TIMES |
7-4-2017 |
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20 |
22 |
16408 |
0 |
PETRA MARKLUND - HÄNDERNA MOT HIMLEN |
14-9-2012 |
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| |
21 |
15 |
19466 |
0 |
MILKY & MALL GRAB - JUST THE WAY YOU ARE |
12-10-2002 |
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| |
22 |
20 |
14817 |
16483 |
EWA FARNA - NA OSTRZU / NA OSTŘÍ NOŽE |
12-4-2016 |
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23 |
21 |
6796 |
6796 |
HUMLAN DJOJJ & JOSEFINE GÖTESTAM - DJURENS VAGGVISA |
14-7-2022 |
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| |
24 |
23 |
5345 |
5345 |
BABBLARNA - BABBLARNAS VAGGVISA |
6-11-2020 |
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25 |
24 |
664 |
1954 |
MICHAEL JACKSON - DON'T STOP 'TIL YOU GET ENOUGH |
29-9-1979 |
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26 |
--- |
34 |
137 |
SHAKIRA
FEATURING FRESHLYGROUND - WAKA WAKA (THIS TIME FOR AFRICA) |
10-5-2010 |
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27 |
28 |
354 |
728 |
GOO GOO DOLLS, THE - IRIS |
1-4-1998 |
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| |
28 |
--- |
1181 |
2486 |
PETER
SCHILLING - MAJOR TOM (VÖLLIG LOSGELÖST) |
19-3-1983 |
|
| |
29 |
33 |
804 |
2604 |
MICHAEL JACKSON - DIRTY DIANA |
28-5-1988 |
|
| |
30 |
18 |
9655 |
9851 |
LINKIN PARK - NUMB |
14-9-2003 |
|
| |
31 |
17 |
304 |
706 |
GREEN DAY - BOULEVARD OF BROKEN DREAMS |
7-11-2004 |
|
| |
32 |
36 |
105 |
234 |
MACKLEMORE & RYAN LEWIS FEATURING RAY DALTON - CAN'T HOLD US |
24-1-2013 |
|
| |
33 |
37 |
8114 |
8114 |
MILLENIUMKID & JBS - VIELLEICHT VIELLEICHT |
9-5-2024 |
|
| |
34 |
25 |
1104 |
2262 |
FLEETWOOD MAC - DREAMS |
24-9-1977 |
|
| |
35 |
38 |
492 |
1624 |
FLEETWOOD MAC - EVERYWHERE |
9-4-1988 |
|
| |
36 |
27 |
560 |
1333 |
MICHAEL JACKSON - SMOOTH CRIMINAL |
12-11-1988 |
|
| |
37 |
39 |
8706 |
9017 |
BADDIEL & SKINNER & LIGHTNING SEEDS - THREE LIONS |
1-6-1996 |
|
| |
38 |
29 |
553 |
562 |
NATASHA BEDINGFIELD - UNWRITTEN |
5-12-2004 |
|
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39 |
30 |
6 |
6 |
BENSON BOONE - BEAUTIFUL THINGS |
13-1-2024 |
|
| |
40 |
--- |
161 |
161 |
MYLES
SMITH - STARGAZING |
10-5-2024 |
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Redbullets are available for tracks which have been climbing in the
chart this week: between 1-10 »» 1
position, 11-20 »» 2
positions, 21-30 »» 3 positions, 31-40
»» no red bullets. |
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| The Eternal Hit Status Top 40 highlights the tracks that are currently back in the
spotlight and showing a clear resurgence in popularity. Only songs that are
at least two years old and that appear in — or have previously appeared in
— the All Time Popclassics Chart are eligible for inclusion. The EHS ranking is
determined entirely by the most recent measurement of real‑time
popularity, combining streaming activity, airplay, search behaviour and
sales data to provide a transparent and accurate reflection of what Europe
is rediscovering today. Free from ACR rules, promotional cycles or
artificial limitations, the EHS Top 40 reveals which timeless songs are truly alive right now
— driven purely by the listening behaviour of the public, not by the
industry. |
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